Brendan Staunton – Lacan On Las Meninas – the Visual Structure of the Human Subject
 
THE LETTER 12 (Spring 1998) pages 25-40
 
Psychoanalysis is the science of the particular.
 
J. Lacan
 
Introduction
 
The Telescope, Microscope and the Scopic Drive
 
This paper summarises some of Lacan’s thinking on Velasquez’s Las Meninas, a painting that art experts voted the greatest ever painted in 1985. For Lacan, the particularity of this painting is that it incarnates one of his four fundamental objects of psychoanalysis, that of the look. For me, it also embodies the psychoanalytic method, a method grounded in a conception of the human subject that is new, that is ‘Copernican’.
 
This summary, (not a report), is an effort to evoke something of why Lacan took an interest in this painting, which of course was not the first time he spoke about the visual arts, in order to teach the structure of phantasy, the scopic drive, the lost object, the look, the cause of desire, (that which we refuse to relinquish). Desire, constituted by lack, implies divided subjects, where ‘desire is the metonomy of Being in the subject’.